[Wyrd Words Weekly] Finding the FUN!


Hello Reader,

Last week, I took the first chapter of my brand-new story to critique group. It was a scary prospect, and not something I would do with anyone but my most trusted writing pals.

While we were chatting, we talked about how a few of us are at the beginning stages of drafting a new story and how we'd love to get some real progress done. As I often do at this time of year, I exclaimed "Let's do NaNoWriMo!"

I've been a fan of National Novel Writing Month for over a decade now, even though I failed the first two times I participated. So trying to use November to draft a big chunk of this new story appealed to me, especially as my teaching load these next few months is keeping me really busy!

My critique partners were less enthusiastic. The word count--50,000 words in one month--felt daunting to them instead of energizing. So I suggested a different approach. NaNoWriMo calls folks who set out with a different goal besides writing 50,000 words in the month of November rebels. And I, of course, love that.

While everyone doesn't necessarily identify as a rebel, I know most folks like fun, so I suggested NaNoFUNMo! No set word count. No "finish the draft" goals. No pressure. Just fun. And writing. Because if there was one thing we could agree on, it was that we wanted to try to write five days a week in the month of November.

And suddenly, there was a lot more enthusiasm. Because let's face it, drafting is hard! I was lucky enough to hear Barbara Kingsolver speak in Seattle this week about her stunning Pulitzer Prize-winning novel about the opioid epidemic in Appalachia, Demon Copperhead. And one of the many wonderful things she said was that drafting is like giving birth to a child, while revision is like brushing their hair.

So anything we can do to make the hard work of drafting feel like fun is a bonus, right? I'm going to be posting all of my planning and fast-drafting tips for the next six weeks over on Instagram, so go take a look and follow along. I promise to make it FUN.

And I'll be teaching a session on what to do after NaNoWriMo (hint: REVISE not PITCH) on December 8 for the Orange County Library System. It's absolutely free, but registration is required: https://attend.ocls.info/event/9306376

What about you? Have you ever tried National Novel Writing Month? Are you planning to give it a go this year? What questions do you have about planning and drafting your novel? I'm here to help.

Warmly,

Julie

PS - There's still time to register for CP Meet Cute, my free critique partner matching service. Fill out a brief survey, meet your matches next month, and get started trading pages. It really is the best way to level-up your writing. Check it out: https://pages.julieartz.com/cp-meet-cute

Julie Artz | author, editor, book coach, dragon

Julie Artz works with both award-winning and newer authors across the publishing spectrum from Big Five to small and university presses to indie and hybrid. She is an Author Accelerator-certified Founding Book Coach, a sought-after speaker and writing instructor, and a regular contributor to Jane Friedman and Writers Helping Writers, and a regular instructor for AuthorsPublish, IWWG, ProWritingAid and more. Her work as a Pitch Wars and Teen Pit mentor, a former SCBWI Regional Advisor (WWA), and her memberships in The EFA, the WFWA, AWP, and the Authors Guild keep her industry knowledge sharp. A consummate social and environmental justice minded story geek, Julie lives in an enchanted forest outside of Redmond, Washington, with her husband, two strong-willed teenagers (when they’re not off at university!), and two naughty furry familiars. She’s built a thriving book coaching business based on her values, her editing chops, and her knowledge of story. Check out her weekly newsletter, Wyrd Words Weekly, and subscribe today.

Read more from Julie Artz | author, editor, book coach, dragon

Hello Reader, Recently, I listened to a podcast with “Deep Work” advocate Cal Newport that talked about the impact of social media, email, and, more broadly, distraction has on our creative work. But he also mentioned a philosophical war of sorts between Deep Work denizens and those who adhere to Mihaly Csikszentmihali’s theory of "Flow" or what he calls "optimal experience." In a world obsessed with these sort of ideological cage matches, I often start thinking in the dialectic—what if it’s...

Hello Reader, It's been a busy spring around here! I offered my first-ever free three-hour workshop to the public. I migrated my course materials to a brand-new platform with robust features to support writers. And I even spruced up my look with a months-long rebranding process. Then last week, we onboarded the next cohort of writers to the Wyrd Writers Collective. I'm absolutely energized by all of this, but I've also been woefully neglecting my novel. It can be so hard to prioritize our...

Hello Reader, One of questions that emerged from Story Scaffolding Live! last week was around a question that appears in my course materials and those of other writing coaches as well, as well as on several editor and agent submission forms: Why are you the right person to tell this story? I love asking this question because it gets to the heart of your bigger "Why" for writing the story--what it means to you on a personal and emotional level, moving beyond the events that happen in the story...