Hello Reader,
Did anyone sit down with that Pyramid of Editorial Concerns from last week and get totally overwhelmed about what, exactly, needs to be revised in your story?
You're not alone. In fact, overwhelm is typically my first response when I sit down to revise, especially if I've gotten notes back from readers that suggest my story needs more work than I thought it did (which, let's be honest, is just about every time!).
"I can't possibly do that!" "You don't get what I was trying to do!" "No! No! No!" (stamps foot like disgruntled toddler).
I gave you a lot of tips last week for how to revise deeply. But a couple of you pointed out that sometimes you know a story needs to be revised, but you're not sure what it is that's not working. And all the spreadsheets in the world are not going to help you plan if you can't identify what you're trying to fix.
That's part of the reason that I keep talking to anyone who will listen about learning to identify story problems from your pitch or jacket copy. Because I truly believe learning to self-assess is one of the keys to successful writing.
A good story has just the right blend of plot (external goal), character (internal goal), and stakes (why those goals matter). And no amount of beautiful line-level writing will make up for a deficiency in one of these three key parts of story.
And one of the top issues I see with new writers is trying to come up with plot, character, and stakes without seeing how the three have to be intricately linked to work. The most exciting plot ever, with a literal ticking time bomb to create life or death stakes, will fall flat if all the main character has to do is diffuse the bomb. If, instead, they have to overcome the memory of a past failure under pressure, or choose between their true love and humanity, then those internal stakes elevate the exciting plot points in a way that simply diffusing the bomb would not.
Different genres may lean more heavily toward either plot or character, and that's OK, but both should be there, and should be elevated by the stakes (which can and should be both global and personal, as in the bomb example above).
Think of this as the foundation upon which story is built. And cracks in that foundation are the first thing you should address in revision. Need a little bit more detail to get you started? I've got you covered, in multiple formats even! You can read the transcript of my talk on assessing plot, character, and stakes in your story, listen to it on #AmWriting, or watch the video.
And if you're still stumped after doing this, do not despair--I'm going to be walking twenty writers through my process for deep revision step-by-step beginning April 3.
More details coming soon.
Here are a few updates you might be interested in:
Have a wonderful week!
Warmly,
Julie
Julie Artz works with both award-winning and newer authors across the publishing spectrum from Big Five to small and university presses to indie and hybrid. She is an Author Accelerator-certified Founding Book Coach, a sought-after speaker and writing instructor, and a regular contributor to Jane Friedman and Writers Helping Writers, and a regular instructor for AuthorsPublish, IWWG, ProWritingAid and more. Her work as a Pitch Wars and Teen Pit mentor, a former SCBWI Regional Advisor (WWA), and her memberships in The EFA, the WFWA, AWP, and the Authors Guild keep her industry knowledge sharp. A consummate social and environmental justice minded story geek, Julie lives in an enchanted forest outside of Redmond, Washington, with her husband, two strong-willed teenagers (when they’re not off at university!), and two naughty furry familiars. She’s built a thriving book coaching business based on her values, her editing chops, and her knowledge of story. Check out her weekly newsletter, Wyrd Words Weekly, and subscribe today.
Hello Reader, I've been neglecting the "What I'm Reading" portion of my newsletter in all the busy-ness of the past few months, so today is a double-header. If you're looking for something to distract you from the news once you get your ballot in, this is the newsletter for you! Even though I'm mostly writing adult fiction these days, my love of middle grade endures. And part of the reason for that is the hope and heart that is so much a part of my favorite middle grade stories. This week,...
Hello Reader, I'm just about on the other side of a month of busy-ness and I'm not going to lie: I'm tired. But I also experienced some deep magic that has rekindled my writing spark. If you've been around here long, you know I'm almost as big a music buff as I am a book nerd. And this past weekend was something I would call once in a lifetime if not for the fact that I got to experience it last summer as well: Joni Mitchell and the Joni Jam. Bear with me, even if you don't love Joni the way...
Hello Reader, Ever since I read Cal Newport's Digital Minimalism this past spring, I've been grappling with my feelings about social media. Remember the good old days of Twitter, when we were a cozy little writing community running pitch contests, giving each other support and feedback, and tagging everything with #amwriting and #writingcommunity? At the same time, I was logging into Facebook daily to see photos of my friends and family instead of endless ads and toxic political memes. Sigh....